金庸小说的对照法则与蒙古想象——以《射雕英雄传》郭靖英雄形象的塑造为例

The Mongolia Character and the Contrast Principle in Jin Yong's Novel

金庸在《射雕英雄传》一书中,浓墨重彩地描绘了“蒙古人生性质朴,敬重英雄好汉”的理想品质,但是,这些蒙古想象并不出自金庸对于蒙古文化以及蒙古生活的现实了解。金庸的蒙古想象更多地是出于郭靖的英雄形象塑造之需要。因为需要塑造英雄形象,所以需要有各种陪衬形象来完成这一塑造,于是,有了各种对照人物的出现。同样,因为需要塑造英雄,所以需要有适合英雄品质生长的土壤。金庸选择了蒙古作为英雄生成的土壤,自然也就只能按照英雄的生长条件对于这一土壤的要求来对蒙古进行艺术想象。可见,《射雕英雄传》中的蒙古想象,主要是出于结构的需要,而不是对于现实的临摹。

Jin Yong shaped Guo- jing into ideal hero figure in the Eagle Shoting Heroes, In order to provide an ideal growth environment for the hero, Jin Yong has chosen Mongolia as a major novel scene. This thesis will explore the hero model and the Mongolia character in Jin Yong＇s novel, thus discussing Jin Yong＇s art imagination to the ideal character. Further more, we will discuss this imagination standing in vivid contrast against the true disappointed image ＂Southerner＂ , this contrast have made Jin Yong＇s novels attained very artistic effects.