摘要
在中国现代小说中,塑造了一系列“零余者”和“边缘人”形象,他们实际上是“五四”时期及20世纪五六十年代的一群受着压迫开始觉醒而自身又带点病态的小资产阶级知识分子。传统文化的血脉、国家落后挨打的现实、异域文化的诱惑冲击交织着生命情感的痛苦,谱写出了这些“边缘人”和“零余者”的命运悲歌。
In Chinese modern novel portray, there is a series of "Ling yu zhe" and "Edge person" image. They actually are a group of bourgeois intellectuals who, being oppressed, begin awakening but in abnormal state. It's the fate portrayal of them who live in two cultural cracks during the period of the May 4th Movement of 1919. The origin of traditional culture, the reality of being bullied, the temptation of the conflict of exotic culture, the pain of life feelings have composed the fate sad melody of these "Edge person " and "Ling yu zhe" .
出处
《殷都学刊》
2005年第3期94-96,共3页
Yindu Journal