摘要
中国现代小说的风景叙事,不同于传统文学的“比兴”及“山水”式的风景叙写,而是在现代科学主义思潮背景中出现的一种新的风景叙写模式。它的出现,一方面意味着认识论上的自觉,即一种新的风景观念的产生;另一方面在小说文本中,它还分别表现为隐喻过程的象征性和换喻过程的写实性。前者以鲁迅为代表,后者则以叶绍钧为代表,二者构成现代性风景叙写的两极。
Born in the thought of modern seientism and differing from traditional models of bixing and shan.shui, scenic description is a new model in Chinese literature. Its apperanee means the self-knowledge of cognition, that is a new idea of scenery is born. Moreover, it presents as two forms which are symbolism in the process of metaphor and realism in the process of metonymy. Lu Xun and Ye Shengtao are the representatives of the two poles.
出处
《天津大学学报（社会科学版）》
2006年第3期214-218,共5页
Journal of Tianjin University：Social Sciences
关键词
风景叙写
现代性
隐喻过程
换喻过程
scenic description
modernity
the process of metaphor
the process of metonymy
