摘要
世纪初,“80后”写作已经从《萌芽》1999年第一届“新概念作文大赛”正式出炉的“新概念族”,扩展成了一场普泛性的青少年写作热潮。经过几年的演练后,已逐渐由当初含混、青涩的少年写作逐渐成为了一道颇具市场效应的大众文化景观。然而,缺少人生历练和知识准备的不足,又总使他们的写作呈现出了狭窄、重复、雷同的类型化弊端和忧郁、沉闷的少年强说愁基调。而传媒与书商为了“共同体”利益,越演越烈的热炒,则严严遮蔽了“80后”写作的致命硬伤。因此,对主流评论界而言,对“80后”写作的及时引导与批评,已经不能再沉默与缺位了。
At the beginning of the century, the writing trend of Post '80 has expanded into a widespread youth writing upsurge out of the "new concept clan" formally coming into being at the instance of first "New Concept Writing Contest" in 1999 organized by Mengya magazine. The trend, after years of practice in its original infant obscurity and unsmooth status, has gradually become a popular scene with considerate market effect. However, due to lack of life experience and insufficiency of knowledge, their writings demonstrate a keynote of narrow-mindedness, similarity in repetition, melancholy and infant dullness. The media and book dealers, on their parts for economic purpose, have covered the fatal errors of the Post '80 writing trend. Therefore, the mainstream critics should not be absent from timely guidance and criticism to the Post '80 writings.
出处
《太原师范学院学报(社会科学版)》
2006年第3期109-113,共5页
Journal of Taiyuan Normal University:Social Science Edition
关键词
“80后”
率性
纯真
批评
缺位
Post '80
straightforwardness
naivety
criticism
absence