摘要
从丁玲戏剧创作的崇尚理性原则,看重戏剧的社会作用和人物塑造类型化等方面来看,她的戏剧并不如有的评论说的那样“具有鲜明的现实主义特色”,而是带有古典主义的倾向。但这决不是作者文学兴趣发生转移,而是不自觉的。一个作家在非常时期的非常创作,是不免有非常表现的。还可从她将现实主义的小说手法向戏剧的渗透上看得出来。
Ding Ling' plays art characterized by their classical tendency, but not by the "obvious realistic feature" as commented, because in her writing, she tends to apply the rational principle, emphasize the social function of her plays and classify the characters in her plays. It is not due to her transferring her interests, but doing by unconsciously. From her introduction of the realistic way in novel-writing to her play-writing, we can know that, in a special period, a playwright will have some special woks with special features.
出处
《株洲工学院学报》
2006年第3期46-48,共3页
Journal of Zhuzhou Institute of Technology
基金
湖南省普通高校哲学社会科学重点研究基地
中国古代文学与社会文化研究基地项目
关键词
丁玲
戏剧
古典主义
Ding Ling
play
classicism