摘要
肇始于先秦的“言意之辨”,在老庄那里尚停留在哲学的层面上,体现的是语言面对着“道”的无奈和困窘,但已对文学语言的自觉形成启发。到了六朝时期,一场哲学争论使得文学语言开始走向自觉,并最终在刘勰和钟嵘那里步入全面自觉的境地,且在创作论和接受论的共融中促进了我国文学语言理论的形成。
"Differentiating of Language and Literatrre" started before Qin and stayed on the lay of philosophy in lao - Zhuang' s theory, which incarnated embarrassment of language facing Tao, and formed elicitation to literature language. At the period of Liu Chao, a philosophcal controversy caused literatrre0 language to consciousness and then to entire consciousness at the time of Liu Xie and Zhong Rong, and the combination of creation theory and acceptiag theory accelerated the forming of literature language theory.
出处
《南华大学学报(社会科学版)》
2006年第1期82-83,共2页
Journal of University of South China(Social Science Edition)
关键词
言意之辨
文学语言理论
老庄
刘勰
钟嵘
differentiating of langguage and meaning
theory of literature language
Lao zi Zhuang zi
Liu Xie: Zhong Rong