摘要
大众文艺在中国20世纪90年代以来已经成为当代文化的一个鲜明的特征,它比较充分地体现出了后现代主义的某些特征。这种后现代主义特征主要表现在:向现代性的严肃文学艺术和主流叙事挑战;反省/检讨、质疑/追问“现代性”;厌倦那种大胆的历险与尝试、创造新潮的姿态,而回归一种对世俗日常生活的兴趣和温馨、柔美的文化絮语情调;坚持直觉原则,对理性进行质疑和挑战,藐视权威和权力角逐,追求个性张扬或物质利益最大化。
In 1990s, the popular art stood out in the contemporary culture because of its post modemity fully shown in the following aspects: challenging the serious art and the mainstream narration methods; introspecting or oppugning the modernity; returning to the sweetness and interests of daily life, meanwhile, tired of the bold adventure and attempt to create the futuristic things; insisting on the principle of intuition and introspecting and challenging the logos, defying the authority and the power chasing, pursuiting the individuality and maximization of the material interest.
出处
《内蒙古民族大学学报(社会科学版)》
2006年第2期107-112,共6页
Journal of Inner Mongolia Minzu University:Social Sciences