蒲松龄创作的人学路向

The Humanology Route of Pu Songling's Creation

古往今来,文学家都在其作品中或多或少地表现出人学意识、人学觉醒和人学精神,最终都可以归结到对"人"的问题的切实关注、深度理解和对人的前途命运的把握和分析上面。无疑,明末清初的蒲松龄就以其不同凡响的文学手笔,创作开拓出了一片崭新的人学新气象。蒲松龄文学寄情志于鬼狐神仙、花妖狐媚,即源于一种对人学精神的坚执。蒲松龄通过描绘鬼狐神仙、花妖狐媚对人世生活的向往,及其对人的真实人性和直率情感的刻画,达到了不是人更似人,即在主体人格上完全达到了人性鲜活的程度。

Through the ages, all the writers more or less display humanology consciousness, humanolody awakening and humanology spirits in their works. All these may finally be able to sum up to the feasibly concerning and deeply understanding to the problem of ＂human＂, and the assurance and analysis to human＇s fate. Without doubt, Pu Songling had created and developed a piece of brand-new atmosphere of humanology by its outstanding writing skill during the replacing period of Ming and Qing dynasty. Pu Songling＇s literature expresses of ghost and immortal, flower spirits and fox-deity was namely sourced to his obstinateness of humanology. Through describing ghost and immortal, flower spirits and fox-deity＇s yearning for world life, and portraying of person＇s real human nature and the frank emotion, Pu Songling had achieved the degree of not human but resembling human, namely he had completely achieved the degree of human nature living in the main body personality.