摘要
诗人林徽因是一个被非诗的言说遮蔽了的模糊形象,但在中国现代诗歌发展的真实历史中,她却是一个极具个人特点的现代女性诗人。在较为狭窄的个人生活空间里,她的诗歌在取材上表现出了在基本单一中却相对多样的特点,在艺术上则较为注意通过理性沉思和一些技巧方法对情感进行控制,于充分的主体加工中深化诗歌的审美内涵。依据诗人的才情,她本来极有可能超越自己而成为一个具有现代意义的诗人,但由于各方面的原因,她身上种种的可能和潜力最后并没有演化成一种具体的事实。其诗的写作较多典雅规范的古典意味,个人性的创造则极其有限。
LIN Hui-yin is a modem female poet with strong personality in the development of modem Chinese poetry, who is obscured by a non-poet saying. Due to limited living space, LIN's poetry is characterized with variety in singleness in subject matter, rational thinking and successful techniques in art, and deep aesthetic implications by means of adequate subjective processing. LIN, who would have probably become a poet in modem sense in accordance with her poetic nature, did not make it true for different reasons. LIN's poetic writing is marked with more elegant, standard classical features than individual creating.
出处
《天水师范学院学报》
2006年第3期79-83,共5页
Journal of Tianshui Normal University
关键词
林徽因
题材类型
诗艺表现
过渡性
LIN Hui-yin
types of subject matter
poetic performance
transitional