“神于诗者,妙合无垠”——王夫之诗学情景相生论的美学诠释

Aesthetic Annotation on Wang Fuzhi's Idea of Feeling and Scenery

情景论是中国古典美学、诗学研究中源远流长的一个重要课题。明清之际的王夫之诗学则是其集大成。王夫之真正从诗的艺术本体论,从诗学意象和意境的美学高度来论情景,而摈弃前人从诗的格律、句法、章句等角度来论诗歌创作情景问题的传统陋见,从而把情景论提升到中国古代美学和诗学前所未有的高度。王夫之深刻分析了情景相生的各种审美机制,使之成为一种系统完备的诗学理论,把情景论推向了中国古典美学和诗学的最高峰,标志着中国古典美学、诗学情景论的最终完成。

Ideas on feeling and scenery is an important task in the research of Chinese classical aesthetics and poetry. Wang Fuzhi who lived in Ming and Qing period absorbed the essence of the poetries. He has achieved the greatest success on Chinese classical aesthetics and poetry, it symbolized the fulfillment of feeling and scenery theory.