“三言”和《十日谈》叙述的体态与立场之比较

A Comparison of Style and Perspective of Narration between Sanyan and THE DECAMERON

借助当代叙述学业已取得成果的某些理论术语和话语空间,以中国明末时期冯梦龙的“三言”和意大利文艺复兴初期卜迦丘的《十日谈》作为文本,集中探讨它们在叙述体态和叙述立场的特征,通过异同的比较分析,在叙述学的意义上对中西方古典短篇小说的叙述规律和功能方式进行一定的审视和观照。

Upon the theoretic findings and speech space achieved in the studies of narration, the author explores the features of the style and perspective of narration in THE DECAMERON by Giovanni Boccaccio during the Reminiscence Period of Italy and Sanyan by Feng Mengling in China＇ s later Ming Dynasty. By comparison and contrast, the author has studied the pattern of narration and function of the ancient short novels in the West and in China as well.