摘要
“福鼎饼花”是清末福鼎民间艺人创造的独有画种,与民间戏曲关系密切;从清末至民国其技法经过剪纸拼贴、工笔重彩、木版印制和木刻刻制阶段。“寺庙连环画”代表作陈少倪的《观音传》突破民间画工平涂重彩的单一技法,形成新的民间工笔绘画艺术。“船饰画”反映了时代变迁给民间艺术所带来的内容和形式上的更新。
In the last years of Qing Dynasty created style-figure printed on cake is a kind of peculiar decorative picture in Fuding area,interrelating with folk opera. Up to the Republic of China its skill-evolution pass through four stages: paper-cut piece together, meticulous brushwork and strong colours,bloek printing and wood engraving. Being a representation of temple serial pictorial, Guan Yin Biography drawn by CHEN Shao-ni marked a new kind of folk meticulous brushwork art. The decorative picture printed on the boat reflects the content and form of folk art transforming with the change of age.
出处
《广播电视大学学报(哲学社会科学版)》
2006年第2期112-113,共2页
Journal of Radio & TV University(Philosophy & Social Sciences)