摘要
李清照曾经有过与男性平等交流、发展和拥有美满爱情的梦想,然而男权社会剥夺了女性出仕的机会,也使她们疏离于在中国文化中与政治互为表里的诗、文等文体,在婚姻中她们也处于劣势。在对女性的现实处境深刻体认之后,李清照形成了隐于闺阁、自我完善的“道艺处士”生活模式。“道艺处士”的艺术积累为后来李清照成为一个真正的诗人准备了条件,李清照也证明了女性在“词”这种体裁上的优势。国破家亡使李清照意识到了自己的局限,她走出闺阁,成为一个真正的诗人,完成了否定之否定的精神历程。
Li Qing-zhao once had the dream of equally communicating, developing and enjoying love with a man. But the manruled society deprived her of the right to be an official in the government, which cause them to drift from such types as poems, writings in classical Chinese culture and disadvantageous in marriage. After deeply understanding the women's situation, Li Qing-zhao developed a life style of Taoist nun characterized by coming back to woman's world and perfecting themselves. The artistic accumulation as a versatile Taoist nun provided conditions for Li Qing-zhao to be a distinguished poetess and to prove women's advantages in Ci. The destruction of the country and family made Li Qing-zhao realize her limitations, and therefore, she came out of woman's small world and became a distinguished poetess, and completed her spiritual course.
出处
《辽宁师范大学学报(社会科学版)》
2006年第3期86-90,共5页
Journal of Liaoning Normal University(Social Science Edition)
关键词
李清照
男性本位社会
隐于闺阁
易安居士
道艺处士
隐逸心态
Li Qing-zhao
man-centered society s secluded life in woman's worlds Yi'an retired scholars versatile Taoist nuns hermits' state of mind