摘要
由于《古诗十九首》中有一个“未定的无人区”,即意义上的空白点,使文本中体现出朦胧空白的审美张力。虽说《古诗十九首》的各篇章都很短小,然而其中所营造的意境却有着无限想象的艺术化境,体现了广阔多极的精神空间,是创造主体的创造与接受者的再造想象相互融合的境界。
This article mainly analyzes the artistic conception in Nineteen Ancient Poems from the perceptive of acceptivist aesthetics. There is an "undecided deserted area" , namely, a blank in meaning in the text. As a result, there arises a kind of aesthetic effect of shadowiness and blankness. The seemingly brief poems of Nineteen Ancient Poems create an artistic atmosphere that is boundless for imagination and represents a broad and multi-polar spiritual space. And it reaches a height where the creation of the creating subject and the recreation and imagination of the acceptors inosculate.
出处
《涪陵师范学院学报》
2006年第1期66-70,共5页
JOurnal of Fuling Teachers College
关键词
接受美学
《古诗十九首》
意境
空白
多极
acceptivist aesthetics
Nineteen Ancient Poems
artistic conception
blank
multi-polarity