《古诗十九首》之女性形象——思妇的此岸形象与彼岸意义

The feminine Image in the Nineteen Ancient Poems: Yearning Women in Reality and Ideology

“古诗十九首”的女性形象有广狭义之分:广义的女性形象包容了其中不同阶层,不同背景的女性,狭义的女性形象是其中出现最频繁的思妇(本文所指)。思妇“万千风情在一身”的姿态是读者无法抗拒而心怀倾慕的此岸性存在,她的表现意识和个体心灵效应是升华的体验性的彼岸意义。在此岸形象浮出水面并得以深化的同时,彼岸意义也随着思维的扩散趋向于异样的空间。思妇形象是对人生软弱心理的普遍概括,浸透着生命苍凉的悲感,获得了震撼人心的审美效果。

The feminine image in the Nineteen Ancient Poems has a broad sense as well as a narrow sense： the former represents women from all walks of life ; the latter indicates yearning women who frequently appear in the poems （ as mentioned in this paper）. The myriad amorous charms and fascination of yearning women that readers cannot resist are their realistic existence, while their express consciousness and unique soul feelings are a distillation of the realistic experience. As the realistic image comes out and rises to a higher level, the ideological sense elevates to a strange space along with thought＇s diffusion. The image of yearning women is the epitome of psychological weakness in human beings, saturated with desolate feelings of life, which brings us an extraordinary effect and taste.