浅析声乐表演中的观众群体

An Analysis of the Audience Group of Vocal Music Performances

观众作为审美主体是一个历史的、动态的群体构成,它随着时代的发展不断地在调节着自身的结构、形态和要求。本文结合心理学和接受美学的相关研究成果,依据艺术交往和传播的相关理论,从声乐表演者的角度出发,站在观众的立场,以哲学思辩的方式,多角度、多层次地分析了观众作为审美主体所具有的某些特征。首先分析了观众的审美心理需要,继而探究观众作为声乐表演审美主体与词曲作者、演唱者等声乐表演诸要素的关系,最后对观众审美心理过程进行剖析,使观众作为审美主体的外部特征和内心形态有所揭示, 目的在于为词曲创作和声乐表演带来一些启示。

The Audience, as a main body of aesthetics, is a historical and dynamic group construction. As time goes by it continuously adjusts its structure, form and requirement. According to the achievements of relative researches of psychology and acceptance aesthetics, the paper analyzes from various angles and levels the characteristics of the audience group as the main body of aesthetics, considering relative theories of exchanges and spreads of arts, standing at both the vocal music performers and the audience, and by means of philosophic thinking. Firstly the paper analyzes the psychological requirement of the audience. Secondly it explores the relationships between the audience, the aesthetic body, and the composer, the librettist and the performer. And thirdly it explores the procedure of the aesthetic psychology of the audience. In this way the exterior characteristic and the interior form of the audience as the main body will be explored, aiming to produce some inspiration for the creation of music and lyric as well as performance.