摘要
黄公望的代表作《富春山居图》,从布景到造型语言无一不反映出熔铸主观情怀于自然景物之中,把人引向远的境地,达到物我两忘,创造了“平淡天真”的艺术境界。让人于宁静处感悟平淡,于细致处品味天真。山水画已如一首抒情诗,是一种超然物外、意味悠长之美。
In Huang Guangwang' s masterpiece "Dwelling in the Fuchun Mountains", both the scene and the modeling language reflect the founding of subjective feelings in nature scenery. It leads people into a far - reaching condition and into a situation of being oblivious of themselves, creating a "flat and innocent" artistic circumstance. It makes people feel flatness in a quiet place and taste innocence in a meticulous part. The Chinese landscape painting as a lyric poem is a beauty of aloofness and lingering charm.
出处
《贵州大学学报(艺术版)》
2006年第1期28-31,41,共5页
Journal of Guizhou University Art Edition
关键词
黄公望
《富春山居图》
平淡天真
解读
Huang Gongwang
"Dwelling in the Fuchun Mountains"
flat and innocent
interpretation