摘要
本文从美学方面对移情理论的概念、内涵和形成与发展作了充分阐述。并通过对与移情相关理论的比较分析,对移情在审美活动中的现象和作用,以及移情在艺术创作、审美欣赏中的运用等方面的深入探讨,使人们在审美活动中不是以理性态度来感知对象,而是与个性化的生命存在相联系,用自由的、理想化的和协调的性格和禀赋来感知它。通过把自己投射到世界万物之中去, 使生命的活力激荡在对象里,来体验自然万物的生命,使主体与对象相互理解,人与自然真诚沟通, 达到合谐共存的境地。从而体会自我生命活力的丰富、充盈,玩味作品形式,就是玩味自身生命活力,从而获得美学意义和实现对自我生命存在的肯定。
The conception, the connotation, the form and the development of Shift-emotion arc sufficiently elaborated throuoh aesthetics. In the course of appreciation, some appearances and effects of Shift-emotion are further discussed through analyzing the related theory including the usage of creation in art and appreciation, so that people can be associated with personalization to feel the objects with tree. ideal and harmonious personality and gift. never with reason
出处
《铜仁师范高等专科学校学报》
2006年第1期32-36,共5页
Journal of Tongren Teachers College
关键词
移情
审美体验
投射
同形同构
内摹仿
生命存在
shift-cmotion
appearance of appreciation
cast
the same form of structure
inner-imitate existence