摘要
民间口承叙事作为一种在民间口耳相传的集体性创作作品,因其所具有的类型性,以及这种类型性中蕴涵的文化原型,为作家文学创作奠定叙事的基调。以《聊斋志异》中《张鸿渐》及其民俗俚曲版《富贵神仙》、《姊妹易嫁》为案例,分析它们所蕴涵的“异类婚”口承叙事原型特征,并进一步探讨作家作品情节的复杂性与口承叙事原型交织融合的密切关系。
As a collective work handed down by word of mouth, folk oral narration is characteristic of formula, the cultural archetype of which lays a foundation for writers' literary creation. This article, taking Zhang Hong-jian from Strange Tales from a Lonely Studio as well as Wealth God and Sisters Changing Marriage in local, folk version as study cases, makes an analysis of contained human-ghost-animal marriages and probes into the close relationship between the complex plots of literary works and the oral archetype of narration.
出处
《上海大学学报(社会科学版)》
CSSCI
北大核心
2006年第3期151-155,共5页
Journal of Shanghai University(Social Sciences Edition)