古代诗学情感观的逻辑演进

The Logical Evolution of the Feeling Views in Ancient Poem studies

中国古代诗学中有为数颇多的情感观,这些情感观在真、善、美三个价值向素的作用下,有合乎逻辑的演进过程。对情感的每一次善性规范,都是对情感本真状态中冲动的约束和压抑,而对情感本真状态的追求,又是对情感冲动的维护,于是出现了“求善”与“求真”的矛盾对立,这一矛盾对立推动了中国古代诗学中求善情感观与求真情感观的发展演变。无论是经道德理性规范约束的情感,还是无拘无束的情感,都可作为审美的对象,不管“求善”“求真”矛盾对立中谁为主导,对情感的审美从未间断,审美观也没有间断生成,中国古代诗学中的情感审美观随求善情感观与求真情感观的发展演变而同步演进。

There are many feeling views in the Chinese ancient poem studies, these feeling views have an evolutionary process to conform to the logic under the three functions of truth, kindness and beauty. The regulation of feeling is the stipulation and suppression of feeling, but to pursue the feeling of originality is the maintenance of the impulse of feeling again, hence the antinomy of ＂seeking for the good＂ and ＂truth＂ appears. The antinomy facilitates the development of ＂ seeking for the good＂ and ＂truth＂ feeling views in Chinese ancient poem studies. The feeling, whether it is controled by the morals or unrestrained feeling, can be the object of appreciation. No matter which view is dominant, the appreciation of feeling was never interrupted, the production of aesthetic views was not interrupted, either. The feeling appreciation views of Chinese ancient poem studies synchronically evolve with the development of seeking for kindness and truth feeling views.