摘要
柳宗元的辞赋作品约有三十余篇,包括骚体赋和散文赋两大类。其中,骚体赋约占三分之二。表现在内容方面,他发扬了屈原“发愤抒情”的传统精神,抒写“永贞革新”失败后的自我遭际、思想、感情,表现出一个勇于探索、勇于实践、勇于坚持的诗人自我。在艺术表现方法上,他在继承的同时也有所发展、有所创造,在写景、用事、抒情等各方面形成了自己的艺术个性。
Liu Zongyuan wrote more than 30 poems and proses, including two types of prose poems of Sao style and poetic prose, two thirds of which are prose poems of Sao style. Speaking from its content, he develops Qu Yuan's traditional spirits of "making a determined effort to express his emotion", and describes his own hard fate, thoughts and emotions after the "Yongzhen' s Reforms", showing the poet himself as a man brave in pursuing, practicing, and unyielding. In the respect of its technique of expression, he develops and creates as well as inherits, and forms his own artistic style in depicting scenery, quoting classical allusions and expressing emotions.
出处
《山西师大学报(社会科学版)》
北大核心
2006年第3期71-74,共4页
Journal of Shanxi Normal University(Social Science Edition)
基金
山西省高校人文社会科学资助项目(20053242)
关键词
柳宗元
骚体赋
思想艺术特征
Liu Zongyuan
prose poems of Sao style
ideological and artistic features