摘要
滕固不仅是中国美术史研究由传统范式向现代转型的领军人物,他还是构建中国艺术学科的学者之一:他关于艺术学科的定位和构成、艺术学所运用的综合研究方法以及艺术的基本理论等,对于今天的艺术学科建设具有启迪意义。
The study of Chinese fine arts transferred from the traditional pattern to modern one in the 1920s. Being a pioneer in the research, Teng Gu was studied in the past mainly for his theory of style. However, this paper overviews his thoughts including the academic position of art and the ways of research on art as well as the basic theories, which can enlighten today’s construction of art discipline.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
2006年第3期52-56,共5页
Journal of Southeast University(Philosophy and Social Science)
