黑人音乐与美国非裔族群的自我表达

The Black Music and the Self-expression of African-American Groups

黑人音乐与美国流行音乐的关系反映了美国非裔亚文化与主流文化之间相互影响和渗透的关系的一种特殊情形:它在后者的强烈挤压和制约之中形成,却又强烈地影响了后者,它已被认同为美国文化的重要特征。文章选取1920年代的纽约哈莱姆区为视点,从跨文化交流的角度对其进行一个切面式的考察,旨在证明:在种族隔离的大环境中,在黑人文化无法进入主流话语的情况下,爵士乐成为黑人族群自我表达的一种方式,它的广泛传播使得黑人得以逐渐被认识和接受,它事实上也促成了黑人族群意识的进一步觉醒。

The relationship between black music and American pop music is a reflection of the special situation of the mutual influence and infiltration of the African-American sub-culture and the mainstream American culture：it was shaped under outrageous pressure from the latter, and affected the latter to so great an extent that it has been identified as one of the most important features of American culture. The paper focuses on Harlem of New York City in 1920s. From the perspective of intercultural communication, it tries to prove that black culture can not enter into the discourse mainstream under the background of racial segregation. Therefore, jazz becomes a self-expression way of the blacks and the extensive spread of jazz makes the blacks recognized and accepted, which stimulates them to be awakening consciously.