组稿:文学书写的无形之手——以《人民文学》(1949—1966)为中心的考察

Organizing Manuscripts: the Invisible Hand of Literary Writing——An Investigation with a Focus on People's Literature(1949-1966)

本文主要从《人民文学》(1949—1966)提取案例,探讨在中国当代文学制度中,一般意义上的“组稿”如何获得了特殊的政治—文化地位,因而具备了特定的意义、功能和价值。组稿不仅直接参与了文学(史)的书写,而且,一部组稿史,也可成为一部别样的文学史。

This is a case study of People＇s Literature （1949 - 1966）, a well - known literary journal in China. The author attempts to display how the practice of ＂organizing manuscripts＂ acquired a unique political - cultural status and obtained thereafter special significance, function and value. On the one hand, the practice of organizing manuscripts contributed directly to the writing of （the history of） literature; On the other hand, the history of organizing manuscripts itself is a unique history of literature.