现代中国式的唯艺术批评——三十年代印象主义文学批评中西比较论

Modern Chinese Artistic Criticism——Comparison between Chinese Impressionist Criticism and West One in 1930s

现代中国式的印象主义文学批评是一种反逻辑、重主体直觉的有中西方共鸣色彩的唯艺术批评,用形象思维整体把握对象,使之具象化,形成审关直觉的互动。它受了西方和中国古代印象式批评的双重影响,可以从四个方面进行反思:两种直觉顿悟;基于主体功能的自我创造;象喻表达,以诗解诗;知人论世和“以文论人”。

The modem Chinese impressionist criticism is a kind of criticism of having Chinese and Western character, which is anti-logic and subjective. It appreciates an article with thinking in image, forms the interaction with aesthetic intuitions. The double influence of the： western and Chinese impressionist criticism makes it coexist well and badly. We think about it from four respects： two kinds of intuition; serf-creation on the basis of the subject function; description, and evaluate writer and article.