摘要
1930年代初中期小品文期刊的繁荣以及林语堂所鼓动起幽默闲适小品文的热潮,是30年代上海文化工业起步和兴盛的结果。围绕小品文热而产生的种种争论辩驳,则凸显出现代作家对商业化文化机制或顺从或警觉或抵抗的心理。借助文化学的视角将有助于我们对30年代小品文现象的发生与变化过程进行重新阐释。
The start and boom of cultural industry in Shanghai in the 1930s brought about the boom of familiar essays as well as a great upsurge of humorous chatty essays promoted by Lin Yu-tang in the first half decade of 1930s. Arguments over familiar essays indicated some modern writers were in the mental state of being alert to or resistant to the commercialized culture mechanism. Science of culture helps us explain again the appearance and transformation of familiar essays in the 1930s.
出处
《广西师范大学学报（哲学社会科学版）》
2006年第2期51-57,共7页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
