摘要
小说《押沙龙,押沙龙!》作为福克纳的“约克纳帕塔法世系”小说中的轴心之作,引起了诸多评论家的关注,国内对该小说大多进行主题研究而忽略文本分析。文章聚焦萨德本的规划,运用拉康的“镜象”理论和库勒的“镜子自我”理论,对其规划的形成、建立和毁灭进行了详尽的论述,指出萨德本规划的实质乃是寻求自我身份和社会地位。
Absalom, Absalom, the kemel of Faulkner' s Yoknapatawpha series, has received great researches. Based on the phenomena that more attention is paid only to the novel's theme, compared with textual analysis, this paper thoroughly probes into Sutpen's design in accordance with the theories of Lacan' s“Mirror Stage” and Cooley's “Mirror Self”, and points out that Sutpen' s design is to establish his social identity and status, and Faulkner makes clearly that there is still hope for humanity although they make crimes and are punished.
出处
《浙江工商大学学报》
2006年第1期72-76,共5页
Journal of Zhejiang Gongshang University
关键词
规划
自我身份
家族
罪与罚
design
identity
family
crime and punishment