《乐府诗集》“相和歌辞”题解释读

Interpret on the topic of Xianghe ballad in yuefu poetry

“相和歌辞”是郭茂倩编撰的《乐府诗集》中的重要部分。郭氏往往在各曲调名下撰写解释、说明的文字,其中常引录南朝陈释智匠的《古今乐录》一书,而《古今乐录》又常引述晋朝荀勖、南朝宋张永、齐王僧虔的著作。由于这样辗转引述,且《古今乐录》及其所引的著作久已不传,故今人阅读时颇感困难。本文即对郭氏所撰写的“相和歌辞”的若干题解加以分析,并得出了某些比较重要的结论。

Xianghe ballads are the main part of yuefu poetry which edited by Guo maoqian. Guo always wrote interpretation on yuefu melody, in which he often extracted gujin yuelu written by zhi jiang, a monk in Chen dynasty. However, zhi jiang extracted them from other people＇s works, such as xun xu of Jin dynasty, zhang yong of Song dynasty and Wang sengqian of Qi dynasty. Because of multi-ply quotation, and the missing of gujin yuelu as well as the works that had been quoted. It is quite difficult for researchers now to understand them. The article attempt to analyse some of topics on Xianghe ballad written by Guo, and make some valuable conclusion.