摘要
在众多类型电影中,暴力电影的影响是最为人所关注的一种,因为它关涉许多复杂而微妙的社会以及社会心理问题。本文以两部经典暴力电影中的声音与场景在贾樟柯电影作品中的迁徙、复现与变形为主要论题,由继发的电影文本分析先在的暴力文本如何被认同,以及何种暴力元素与形象被认同,进而推究出暴力电影发生社会影响的一种可能情况,即暴力电影中的形象所带有的一种力量,可以转化成一种特殊社会环境中的权威幻想,作为艺术,电影对先在文本的致敬与复制,其中隐含的批评意味非常耐人寻味。
Among numerous films , the influence of the Violence film drows much attention , for it is concerned with a lot of complicated and delicate social and psychological problems. This paper pointed out that the sound and scene in two classical Violence films migrated, replied, and shaped now in Jia Zhangke' s films . The paper analysed how it ,was identified in the succeed , and which violence elements and images were identified , and then worked out a kind of possible situation of the social influence in the Violence film , namely bring some kind of strength in image in the violence film which can transform into the authoritative illusion in a kind of special social environment —— That the film , as art , salutes and duplicates the texts first ,implicates the criticism meaning , what is being very thought - provoking .
出处
《黄冈师范学院学报》
2006年第2期107-111,共5页
Journal of Huanggang Normal University