解释学在音乐心理学中的方法论意义及其实践探索

The Methodological Significance & Practical Exploration of Hermeneutics in Music Psychology

本文探讨了解释学基于“感悟”认识的基本原理及其在音乐心理研究中“文本—语境”的基本方法。本文以“音乐作为人类一种有目的的活动”为基本前提,通过确立“音乐情感”、“音乐形态”以及“音乐意念”为音乐心理现象的基本语境结构,以对人类音乐活动中“解释学复原”(聆听、体验和感悟)和“解释学创意”(创意、表演、创作和反思)的剖析,来阐明解释学应用于音乐心理研究的可能性。

This paper argues about hermeneutics based on sensation, the principles of knowing and its basic methods in music psychology research. The basic premise of this paper is regarding music as an intentional activity of human beings. The possibility of the application of hermeneutics in music psychology research is clarified through defining basic music context structure in terms of music psychology phenomenon , such as musie emotion, music forms and music ideas, as well as the analysis is on interpretation restore（ listening, experiencing and teeling） and ideas of hermeneutics（ creation ideas, performing, creation and reflection）.