摘要
随着“文革”的结束,在“文革”极盛一时“样板戏”的地位已日落西山。人们仅仅强调“样板戏”禁锢人民的思想,而忽略接受者在那个时代所起的巨大推动作用,实在是有失偏颇。这种代表领导阶级意识形态下的文化现象,在那个年代里恰恰填充了人民的精神世界。“样板戏”编创者运用“改编与移植”的手法,使自己的作品得到大众的认可。在戏剧日渐远离生活的今天,有必要从“样板戏”的成功创作经验中得到启迪与借鉴。
The status of the Model Play has gone down the sloping road with the end of the Great Cultural Revolution. The emphasis on sealing up people' s thought and ignoring its huge effects have loses biased. Model Play reflected the leadership social class' s consciousness and filled people' s inner world during the period of the Great Cultural Revolution. The authors of the Model Play use the methods of Reorganizing and transplanting to make their plays popular. Today playwright should Profits from the Model Play, when the plays go away from people' s life.
出处
《宜春学院学报》
2006年第1期54-57,共4页
Journal of Yichun University
关键词
样板戏
接受者
改编与移植
文革
the Model Play
audiences
reorganizing and transplanting
the Great Cultural Revolution