摘要
卢梭的创作植根于启蒙文学的土壤,对启蒙文学中着力描写的“自然人”形象,他予以浓墨重彩的书写,并以“新人”形象的描绘表达了自己对“自然人”的新的理解与诠释。其作品从“自然原则”出发,诗意地塑造了理想中的“新人”形象,勾画出他所期望的理想社会,并与文明时代的人与社会形成鲜明的对照,借此否定了现实的社会制度和文化体系。卢梭的创作也是他的政治、哲学论文的诗性表达,尤其是他的几部代表作品,通过对“新人”形象的描写,充分抒写了他对人的个性化理解与阐释,亦可见其人文观念的概貌,丰富、深刻的人文意蕴具有不可忽视的现实价值。
Rousseau plants his creation of root in the enlightenment literature, devoting every effort to the depiction of the "natural person", and advocates his interpretation to it through vivid description of the "new person". Starting from the "natural principles", his works depict the images of the ideal "new person" poetically and sketch the ideal society bred in his mind, which forms a sharp contrast with the men and the society of the civilized times and repudiates the existing social and cultural systems. His creation is a poetical expression of his political and philosophical theses. His masterpieces, above all, advance his interpretation of the human individuality through the vivid depiction of the "new person".
出处
《内江师范学院学报》
2006年第3期92-94,共3页
Journal of Neijiang Normal University
关键词
卢梭
人文意蕴
自然人
新人
Rousseau
humane implication
natural person
new person