文体自觉:张竹坡、文龙《金瓶梅》人物评点差异溯因

张竹坡与文龙就吴月娘、孟玉楼、沈春梅三个人物形象的驳难,寄寓彼此对时世的慨叹,灌注各自的主体精神。在小说评点学史上,张竹坡、文龙都自觉探讨小说评点的内在规律,促进小说评点学的自我发展。考究张竹坡、文龙二人小说评点话语的歧异,他们所处的小说评点学的不同发展阶段,以及各自对评点学内在规律的参透程度当为决定二人评点话语差异的一个重要原因。

The argurrnents that are on WuYue- niang, MenYu -Lou and PangChun -mei place information and comments on the timses, imbuing with their spirits. In the academic comanentary on novel, Zhangzhu -po and WenLong explored the artistic law consciously and accelerated the development of this study. Judging with the differences between Zhang＇s and Wen＇s, the critical reason was the stages that they lain in the study of novel commentary and the degrees which they had understood and researched this stuby.