艺术自律性与当代中国语境——从法兰克福学派批判美学的艺术自律性原则理论出发

The Self-discipline of Art and the Present Chinese Context ——From the Perspective of the Self-disciplinary Principle of Art in Critical Aesthetics

文章从批判美学的艺术自律性理论出发,分析了艺术自律性原则的理论诉求,以及它与当代中国语境之间的历史性契合原因与意义,进而对艺术自律性原则的悖反与困惑作了分析,强调了艺术自律的历史化与语境化的意义。

This paper analyzes the theoreric essentiality of the self-disciplinary principle of art,why self-discipline of art fits into the present Chinese context and the significance of self-discipline of art The paper also discusses the objection to and puzzlement about the self discipline of art,and emphasixes the sigmificance of historicalixation and contextualization of the self-discipline of art.