摘要
符号论美学兴起于二十世纪六十年代,符号学理论也成了当代哲学及其他许多学科领域核心的理论之一。它的外延与内涵、能指与所指理论备受关注。本文从符号学的角度切入,通过解读柳永《雨霖铃》中呈现的意象符号,从理论和实践两方面阐释了如何运用符号学理论达到对诗歌内涵的整体把握。
The semiotics theory of esthetics emerged in the 20th century 60' s,Which had become one of core theories of the contemporary philosophy and other many disciplines domain, Its extension and connotation, Signifier and Signified , were paid attention by the field of theory, From the semiotic' s angle, the present thesis gives a sketchy account in both theoretical and practical aspects ,taking as illustration the analysis of the image mark of the poem The Yu Ling Ling by Liu yong .The article tells us how to explain the poetry connotation all of the content from the semiotics theory.
出处
《江西广播电视大学学报》
2006年第3期26-28,共3页
Journal of Jiangxi Open University
关键词
符号学
能指与所指
外延与内涵
意象
情感
Semiotics
Signifier and Signified
extension and connotation image
emotion