丁玲早期创作与“五四”时期女性文学

DING Ling’s Early Works and Woman’s Literature in the May 4^(th) Movement

“五四”时期女性文学中的女性形象有着种种精神依附的痕迹,她们大多自恋于自己的弱者地位,对于丑恶的现实不是勇敢地正视而是进行种种消极的逃避,不少人物形象成为一组情绪或者一种观念的化身。丁玲在“五四”时期的女性作家步入创作的沉寂期以后崛起于文坛。早期丁玲笔下的女性形象追求自我独立人格,大胆直面人生的种种逆境,大胆的逼视自我的内心矛盾,充分展现了一代知识女性主体意识的觉醒。而且丁玲擅长于女性形象复杂的心理冲突和错综的心理变化的描写,所写人物与五四时期女性文学比较显得丰富而独具个性。

the image of woman during the May 4^th Movement is characterized by emotional attachment, contentment with their disadvantaged social roles, escape from instead of confrontation with the hideous realities, and some even embodying emotions or a certain idea. DING Ling made her name in the literary circle when the literary creation of women writers during the May 4^th Movement were at a standstill. The image of woman in her early works was characterized by pursuit of self-dependence, confrontations with adversities of life, inner conflict of soul-searching, which vividly shows the awakening of subject consciousness of the educated women at that time. DING Ling is also good at depicting the inner conflict and subtle emotional changes of women characters in her works, who are displayed in a fuller and more individualized way compared with images of woman in other woman writers＇ works in the May 4^th Movement.