摘要
自新时期以来,审美文化活动开始大批量地向以自由为核心的私人领域转移。在私人化的自由选择中,那些曾一度被压制的生存体验、心理需求和心灵感悟开始大规模地返归公共文化空间,并具体地表现为三种主要的审美文化场景:其一,日常生活场景的浮现;其二,身体意象的大量衍生;其三则表现为隐私热的持续升温。这些主题场景正深刻地介入到当代人的思想意识和现实行为之中,对它们的分析将会有力地揭示出审美文化与政治、经济、商业和技术等因素的复杂关系。
Ever since the new period, cultural activities have been moving from public sphere to private sphere on a large scale. As a result, the existing experiences, psychological needs and psychic perceptions that have been suppressed have now began their re - entry to public culture sphere incarnating into three important cultural scenes. The first is the daily life scene, the second, the body image, and the third, the privacy. These topics are exerting influences on contemporary people's thinking and behavior. Consequently, an open discussion of them will effectively demonstrate the complex relationships between aesthetical culture, on the one hand, and policy, economy, commerce and technology, on the other.
出处
《山东师范大学学报(人文社会科学版)》
北大核心
2006年第2期78-82,共5页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
审美文化
私人领域
隐私
身体
aesthetical culture
private sphere
privacy
body