盛世选本的盛世形态——《河岳英灵集》、《唐贤三昧集》二选本之共性研究

Artistic Forms in Collections of Poems at a Prosperous Age:On the Common Features of Heyue Yingling JI and Tang Xian Sanmei Ji

《河岳英灵集》与《唐贤三昧集》二选本乃盛世人选盛世诗,均以休闲主题、清远风格为正宗和主体,竟然都不选杜甫,尤其是《三昧集》连李白也不选,这反映了二选家的高度诗美自觉。殷、王士二人选诗的趣味,固然有其性格、文化及美学上的诸多原因,但是,最本质的原因还在于盛世太平气象的深刻影响,是盛世时代性质有形无形的趋导和规范。结论是:盛世自有盛世的时代意志,盛世选本自有盛世的美学形态,盛世选本自然应该折射出盛世的光影。

Both of the two collections of poems, i.e. Heyue Yingling JI and Tang Xian Samnei Ji compiled at a prosperous age, have the same theme of leisure and are fresh and elegant in style. The fact that Du Fu＇s poems are not included in either of them and even Li Bai not in the former, reflects the two collectors＇ poetic and esthetic awareness. This artistic taste of the collectors, Yin and Wang, though, to some extent, revealing the collectors＇ own characters, the prevalent cultural and esthetic interests at the time, basically mirrors the scene of peace and prosperity at the prosperous age. Undoubtedly this also reflects the visible and invisible trend and norm in the nature of the prosperous age. The conclusion of this paper is that a prosperous age has its own willpower, the collections at the prosperous age have their own esthetic forms and the collections in return reflect the prosperous age.