摘要
舞蹈《千手观音》之所以能够带给人们美的震撼,是因为它在现实、文化和艺术三个层面上完成了审美超越,从而使作品具备丰厚的审美蕴涵。这三重超越不是并置的关系,它由外到内向作品的深层逐步开掘,最终成就了一个经典的舞蹈作品。
The reason why the dance of 《Goddess of Mercy with one thousand hands》impresses people with its beauty lies in that it transcends reality, culture and arts through aesthetics, thus equipped with sufficient aesthetic meanings. The three transcendence reflects a gradual process, from the outmost reality to the innermost arts, which helps to make a classical work of dance.
出处
《连云港师范高等专科学校学报》
2006年第2期41-44,47,共5页
Journal of Lianyungang Normal College
关键词
舞蹈
《千手观音》
审美
超越
dance
《Goddess of Mercy with one thousand hands》
aesthefics
transcendence