童年未逝:弗兰肯斯坦不再绝望——论吴岩科幻小说的双逻辑支点及中国科幻模式的嬗变

Childhood Has Not Died: Frankenstein is No Longer Desperate——Talk about Two Logical Fulcrums of Wu Yan′s Science Fiction and Transmutation of Chinese Science Fiction′s Mode

尼尔.波兹曼的《童年的消逝》让世人感到童年已逝,而吴岩的儿童科幻小说却以其独特的双重双逻辑支点紧紧抓住了“童年”。文章分析了吴岩儿童科幻小说中成人思维与儿童思维、科学因素与奇幻色彩一内一外两对双逻辑支点,阐明了其对儿童文学“儿童性”的真正关照,并证明“消逝”的“童年”正在当代儿童科幻小说这一文体中回归。从吴岩作品中,既可以看到中国科幻的某些模式化,亦可见其微妙的嬗变。

＂The disappearance of childhood＂, written by Neil Postman, let common people feel that childhood has already died, but Wu Yan＇s children＇s fiction holds ＂childhood＂ tightly with unique two logic fulcrums. This paper analyses adult thought and children thought, scientific factor and magical color, two logical fulcrums, in which one is inside and the other is outside in Wu Yan＇s science fiction. It also expounds its really taking ＂child＂ into consideration in children＇s literature and proves that＂ childhood disappearance＂ is coming back in this style of contemporary children science fiction. Among Wu Yan＇s works, we not only can see some pattern in Chinese science fiction, but also can see its delicate transmutation.