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维吾尔木卡姆音体系研究 被引量:17

Research on Musical System of Uygur Maqam
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摘要 维吾尔木卡姆在体裁、题材、活动场合与功能、音乐形态特征等各方面都具有独自的特点,音体系的领域同样如此。本文从“音律”、“音列”、“音程”、“乐调”四个方面对维吾尔木卡姆音体系的特点进行探研。维吾尔木卡姆在音体系方面所具有的特点,与这个巨大的“音乐活体”所具有的“多元一体”、“混成性”有关。它是不同人类群体音乐文化撞击、交融、荟萃的结果,也与新疆地处“丝绸之路枢纽地段”的地理优势有关。 The Twelve Maqam is the cream and main body of Uygur Muqam in Xinjiang of China. Also Uygur Muqam includes some local Muqam such as Dolan Muqam, Turpan Maqam and Hami Muqam. As a part of Muqam in the world, Uygur Muqam has its own characteristics in types of literature, subjects, occasions for activities, function and musical form features. So does musical system. The author explores and studies the characteristics of musitcal system of Uygur Maqam from four aspects: temperament, tone, interval, and tune. The characteristics of Uygur Muqam in Musical system is related to"pluralistic whole"and"combination", which is the huge"musical object". It is the result of impact, mingling and assembling of human beings' musical cultures. And it is also related to the geographic advantange that Xinjiang was in the hinge of Silk Road.
作者 周吉
机构地区 新疆艺术研究所
出处 《新疆艺术学院学报》 2006年第2期10-18,共9页 Journal of Xinjiang Arts University
关键词 维吾尔 木卡姆 音体系 Uygur Muqam Musical system Tone Interval Quarter note
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参考文献3

  • 1李玫.中立音源流之猜想[J].中国音乐学,1998(3):116-131. 被引量:9
  • 2全国艺术科学“九·五”规划课题课题组.刀郎木卡姆的生态与形态研究[M]中央音乐学院出版社,2004.
  • 3(明)朱载〓撰,冯文慈点.律学新说[M]人民音乐出版社,1986.

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