旋法——关于汉族和维吾尔族民间旋律中的音组合结构

Mode of Melody——The Structure of Sound Constitution in Folk Melody of Han and Uygur Minority

旋律历来是音乐的灵魂,音乐的风格在很大程度上取决于旋律。旋律是由连续音的组合构成的。从旋律的深层次讲,它的结构力来自于调式,但是调式不是旋律音结构的直接程式。它的直接程式是“旋法”,是用“旋法”来构成的。此系列研究都是以“旋法”为中心,以汉族和维吾尔族民间旋律中音组合的结构作为研究对象,通过对大量的民间音乐进行分析,从中找出构成民间音乐旋律的规律。使我们在学习民间音乐时,能够对具体的民间音乐分析更加符合民族音乐的特征。

Melody is the soul of music all long. The style of music is decided by melody to a great extent. Melody comes from modes but modes are not the direct form of the structure of melody. Its direct form is made up of ＂mode of melody＂. The research is mainly about ＂mode of melody＂ and it studies the structure of sound constitution in folk melody of Han and Uygur minority. On the basis of analysis of much folk music, the author found the law of melody which constitutes folk music . So when we study folk music, it can help the specific analysis of folk music accord with the features of ethnic music better.