摘要
自文艺理论界实现“语言学转向”以来,海德格尔提出的“诗乃是存在者之无蔽的言说”的命题就受到关注。许多讨论之所以无功而返,在于缺乏对审美存在的超实体性的认识。通过对“诗意的在场”的解释学辨析,我们有可能使讨论进一步展开。
Ever since the Linguistic Turn in western aesthetic studies, Heidegger' s statement "But poetry that thinks is in truth the topology of Being" has aroused enormous discussion. Many were proved fruitless,originates from the ill perception for super-substance of aesthetic being. Thus, only through an interpretive analysis on "poetic presence" could the discussion be furthered.
出处
《沈阳工程学院学报(社会科学版)》
2006年第3期262-266,306,共6页
Journal of Shenyang Institute of Engineering:Social Science
关键词
审美存在
艺术实践
说不可说
aesthetic being
artistic practice
speak the unspeakable