鲁迅、内山书店和电影院——现代知识分子与新型媒介

Lu Xun, Uchiyama Bookshop and Cinemas- Modern Intelligentsia and New Intermedium

与传统士大夫相比,现代知识分子对于文化空间的需求迥然不同。书院、藏书楼是传统士大夫重要的文化空间,他们之间以协作、书信和会晤的方式进行交流。现代文化的生产、传播和消费方式都发生了根本性的变化,本文将研究鲁迅在上海的最初三、四年间(1927-1930年),如何通过内山书店和电影院获得各种媒介信息,并以它们为媒介建立自己的交往网络。这三、四年,正是鲁迅从一个拥有固定职业者向自由职业者过渡的关键时刻。书店和电影院分别供应着一个写作者必需的文字和影像媒介,这些现代文化空间也是新型媒介,使得脱离了“单位制度”的鲁迅得以与外界交流,并建立自己的共同体。

Modern intelligentsia pursued different cultural spaces compared to the traditional scholar- bureaucrats. The traditional scholar-bureaucrats who usually communicated in the way of cooperation, epistles and contacts regarding the academy of classical learning and libraries as the most important cultural space. Great changes had taken place in the production, communication and consumption type of the modern culture. This essay focuses on how Lu Xun gained all kinds of information and established relationship with others through Uchiyama Bookshop and cinemas during his early stay in Shanghai （1927-1930）. In these years Lu Xun turned himself from an employee with fixed positions to a professional. The bookshop provided a writer with necessary character intermedium while cinemas provided images. Lu Xun who was out of ＂system of unit＂ could communicate with the outside and create community of his own through modern cultural space which was also taken for the new type of inermedium.