摘要
“牛郎织女”的神话源远流长,织女在历代文学作品中都是作为正面形象出现的。但是,《郭翰》却对其进行无情的解构,反传统的改写,这与唐代特定的社会背景,文化精神,以及唐代“小说”这一特殊的体裁有着密切的关系。
The myth "Niu lang and Zhi nü" has a long history, in which Zhi nv always appears to be positive. But Guo Hart carries on heartlsee setting to it by counter-traditonal rewriting, thus, Zhi nv appears to be profligate and fickle in affection. This situation has close relationship with the specific social lbackground, the cultural spirit, and the special type of literature, "novel", of Tang Dynasty.
出处
《沧州师范学院学报》
2006年第1期31-32,共2页
Journal of Cangzhou Normal University
关键词
牛女神话
解构
社会背景
文化精神
小说体裁
"Niu Lang and Zhi nü"
distinguished setting
social background
caltural spirit
novel sa a type of literature