摘要
本文着重分析了巴托克的《第二小提琴协奏曲》中变奏手法的运用,在这首乐曲中巴托克不仅对民间音乐中的变奏特点加以提炼和创作性发展,还将它们融入到专业音乐创作的严谨结构中。
The article analyzes the use of variations in Bartok: Violin Concerto No. 2, and discovers that in this work Bartok not only abstracts the features of variation in the folk music, develops them, but also melts them into the strict structure of professional composition.
出处
《天津音乐学院学报》
2006年第2期3-10,22,共9页
Journal of Tianjin Conservatory of Music