摘要
邵荃麟的文艺思想可以看作是中国现当代文艺学发展史曲折历程的缩影。文章旨在从客观和主观两个方面分析邵荃麟的文艺心理。肺结核在使得他具有旺盛精力的同时,又使他在自身文论发展上慎之又慎;同时他又是一个人性论者,他所提出的“中间人物论”和“现实主义深化论”观点正是他这一文艺心理的反映。
Shao Quanling's literary and artistic theory can be regarded as the miniature of the tortuous development progress of Chinese Contemporary Literary Theory. This paper analyzes his literary and artistic psychology in objective and subjective ways. His tuberaulosis made him full- bodied. On the other hand, he developed his literary and artistic theory more prudently because of it. At the same time, he was also a humanist. The theories of middle personage and deeper realism as he posed are the reflection of this opinion.
出处
《郑州航空工业管理学院学报(社会科学版)》
2006年第3期27-28,共2页
Journal of Zhengzhou University of Aeronautics(Social Science Edition)
关键词
邵荃麟
中间人物论
现实主义深化论
人性论
Shao Quanling
theory of middle personage
theory of deeper realism
theory of human nature