落魄的举子与无奈的小职员——蒲松龄与莫泊桑之比较

对于蒲松龄与莫泊桑,"痛苦"是两位作家共同的人生体验,一个属于精神(蒲松龄科举屡屡失利的精神煎熬),一个属于肉体(莫泊桑从年轻时就受到病痛的折磨,生命的最后十年尤甚);而从他们小说中塑造的人物形象来看,一个多是落魄的"举子",一个则是无奈的"小职员";在表现他们的生活时,一个多充满着幻想的浪漫主义色彩,另一个则采用了写真的现实主义手法。

＂The pain＂ is the common life experiences of the two writers, Pu Songling and Maupassant. One experienced spirit pain（mental suffering of Pu Songling＇s imperial civil service examination repeatedly unfavorable situation）, while the other experienced suffering of the human body （Maupassant suffered indisposition from young, which was much worse during his last ten years）. Considering of the character images which they moulded in their novels, Pu mostly described the unfavorable ＂Juzi＂, while Maupassant described helpless staffs. When displays their lives, Pu＇s works are full of fantasy romanticism, while Maupassant uses the realism technique of portrait-drawing.