论艺术的内核、外化及创新——以扬州画派对常州画派的取舍为例

On the Kernel,Alienation and Innovation of Arts

传统艺术的遗产有外化与内核之分。具体艺术作品是其外化,创作方法、艺术精神是其内核。常州画派有近千年历史,清初成为画坛正宗,但其传人只重外化,走向形式主义。扬州画派是清中叶崛起的一支异军,它善于向不同流派吸取营养,包括吸取常州派的优秀内核,在继承传统时敢于突破,在遵守法则时善于创新,在泼墨写意时发挥个性,从而领异标新于那个时代,并深刻影响后世画坛。

The legacy of traditional arts has the kernel, that is, the production methods and art spirit, and alienation, that is, concrete works of art. Changzhou School of painting with a history of hundreds of year became the orthodox school in the Qing Dynasty. It focused on alienation lead to extemalism; while the Yangzhou School of Painting imbibed the strengths of various schools, including the kernel of the Changzhou School. That is why it stood out in the middle of the Qing Dynasty. It inherited the traditions a well as broke through. Therefore, it was unconventionally excellent at that time and exerted great impact on the later paintings.