从《赞美》一诗看穆旦对自由诗学的实验

Some Thoughts about Mudan's Poetry Learning

穆旦提出自由诗“新的抒情”的诗学主张,在他的早期代表诗歌《赞美》中有充分的体现。通过分析《赞美》诗的节奏韵律特色,从声与意相结合的诗学标准,总结穆旦所提出的“洪大节奏”创作原则,归纳出穆旦诗歌节奏的两个原则:循序渐进原则与对等原则。对穆旦《赞美》的分析,再一次地让人体味到诗人是以自己的方式写自由诗,用自己的“身体”和“头脑”来为自由诗正名。穆旦的诗歌“主要意义在于它的坚韧探索本身与探索所包含的深刻启迪性”。

This article enhances the rhythm of Mudan＇s poem, which is titled, ＂Praise＂, and develops the Great Rhythm view into two principles： the proper sequence principle and the symmetry principle. We can understand that Mudan is a real poet, who is using his brain and body to write his poems. At the same time, the value of Mudan＇s poems is simply the spirit of toughness and exploration.